First, we love the effort. It’s getting heavy competition from the new kid on the block, the Sony FE 16-35 mm f/2.8 GM, but it’s much lighter and less expensive than its new brethren. From fisheye and telephoto to wide angle lenses, Sony has the Full Frame right lens for your occasion. The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. Using adapters with full Auto capabilities also add various line up from other camera systems into the mix. Filter thread: 67 mm Travel Photo – Haystacks In Romania. For a very low price, the Tamron 17 … Weight: 4.2 oz. Regardless of whether you prefer Sony's more expensive native lenses or Sigma's cheaper third-party models, it's great to have more options. The limited variety of FE lenses made it a deal-breaker for most travel photographers who need the versatility and coverage of various zoom and prime lenses. Type: Prime Wide-Angle Argentina Travel Guide | By Car, Train, or Foot (How to Do it Right), How to Catch Mistake Fares & Save $190 (on Average) on Tickets, How To Have A Travel Budget – Realistic Plan You Can Stick To. And with the high ISO capabilities of Sony cameras, there really isn't much reason to spend the additional $500 to gain less than a stop in aperture. We’ll start with the good news: this is Sony’s cheapest true telephoto lens, and it’s $200 less than the 70-200 f/4. Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). Sony FE 85mm f/1.4 GM. There are more than 50 prime lenses for E-mount full frame. But most people will be happy saving with the f/4. Besides that, at 35 mm the lens might be a little limited in its use for travel compared to a zoom lens like the Sony FE 24-70 mm f/2.8 GM. Most … It will open up more framing and composition options for you. Pros: An inexpensive lens with superior optics, fast, good wide-angle and regular coverage View on B&H. And on newer Sony full-frame cameras like the a7R IV, it’s going to have trouble standing up to the resolution of the image sensor. But Sony later added the G Master version, which—for serious landscape photographers and other wide-angle professionals who frequently shoot at night—is difficult to pass up. While the Tamron 28-75 mm f/2.8 is explicitly made for Sony E mount cameras, it can fit cropped APS-C cameras with a 42-112.5 mm equivalent focal length range. For outdoor photographers using the Sony Alpha system, it’s a must-have lens. I’m a Tamron convert. ): 3.1 oz / 88 g The lens is sharp and considerably cheaper than its brand name counterpart. Regarding optical performance, it’s not the best in the market. A fast 50mm is one of the great walk-around lenses for any full frame shooter. Tamron 17-28mm f/2.8 Di III RXD Lens. Despite the hefty weight and price tag, the 70-200mm f/2.8 does not disappoint. For those looking to try out astrophotography or any type of night shooting, lower numbers are a huge plus and it's not recommended to get anything slower than f/2.8. For around $550, you get excellent sharpness (even when wide open), fast and accurate autofocus, premium build quality, and a reasonable weight of 13.1 ounces. Cons: Not the sharpest lens. The autofocus is fast and very quiet, allowing you to capture scenes in silence and obscurity. However, Sigma recently released Sony FE mount versions of many of their "Art" lenses (our favorite is the 85mm f/1.4 Art) and plan to continue rolling more out. From Sony, the 85mm f/1.4 GM is another enticing option—we absolutely love the GM line and the image quality that it produces. Weight: 18.3 oz. From there the sky is the limit. Category: All-in-oneWeight: 27.5 oz.What we like: The ultimate in convenience.What we don’t: We think Sony a7 cameras deserve better. What we don't: Can’t beat the optics of the 24-70mm GM above. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m. Filter … There may be some G Master fatigue by the end of this article, but this premium lens series is just that good. It’s also worth noting that Sony’s GM series of Grand Master lenses described above are not associated with Zeiss, although they are regarded as being some of the finest zoom lenses for the FE system. This means that adapters can be created to allow almost a limitless line up of lenses, both from Sony and other manufacturers, are adaptable to the A7 series. What we don’t: Falls short of the G Master below in low-light performance. Best lenses for Sony full-frame mirrorless cameras. It’s extremely sharp all the way to the corners, excellent in low light for a wide-angle zoom, and creates crisp, life-like images that are hard to replicate outside of the GM family. This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. Sony has two lens mount types: FE (full frame) and E (APS-C). What are the major differences, aside from the price? Sony’s versatile telephoto lens … As mentioned above, we appreciate the lower price point and smaller size of the 55mm f/1.8, but for those who want even more low light performance and bokeh, the Sony 50mm f/1.4 is the ticket. Cons: Some distortions and slower than the optically superior f/2.8 version. Pros: Sharp and very fast Weight: 49.3 oz Type: Super Wide-Telephoto If you can’t see yourself shooting above 100 mm and don’t need the extra stop then this lens is a no-brainer – It can quickly become your one and only go-to lens for travel. It offers consistent performance across its constant f/2.8 aperture. Several factors go into our picks. And optical performance from the f/4 version is great overall: the lens is sharp, has reasonable levels of distortion, creates excellent sunstars, and boasts a weather-sealed build for protection from the elements. The lens features a constant f/2.8 across all focal range, making it great for low light situations. Sony FE 70-200mm f/4 G OSS. Check out my Canon Lenses Guide for Travel. For our top “normal” lens for Sony full frame, it was a close call between the 55mm f/1.8 and the 50mm f/1.4 below. Where To Buy. This lens is super sharp and will save you a ton compared to the Sony equivalent. If telephoto lenses were a weakness of Sony’s FE lineup in the past, that simply is no longer the case. Dismiss The good news is that the Sony 70-200mm f/4 is no slouch. The cameras then offer a ‘crop’ mode you can enable when using APS-C lenses. In terms of competitors, we’ve included the Sigma 85mm f/1.4 Art below, which also is tack sharp and faster by two-thirds of a stop, but incredibly heavy at a whopping 39.1 ounces. SELP28135G (14 14) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. Weight: 22.3 oz In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). Sony doesn't specifically advertise their lenses as being completely weather sealed, but they do have a certain level of dust and moisture resistance built in. Sony Full Frame Lenses - Explore our high quality range of camera lenses. Below are 10 of the best FX... Jason Hummel is a leading adventure photographer and ski mountaineer based in Tacoma, Washington. If you find yourself shooting at a specific focal point than any other then perhaps a prime is ideal since you get the added benefit of a few stops in speed and likely much more superior optics. Adapters also tend to be noisy, making you cringe a bit when changing aperture and grabbing focus. Just how good is the Batis 18mm f/2.8? But apart from the one stop slower aperture, the lens has everything else that the f/2.8 lens above has. However, the f/1.4 is more than three times the price of the f/1.8 and more than double the weight, and it may even be a little softer to boot. The only limiting factor it had when it was released in 2013 was the selection of lenses it needed to compete with already established brands such as Canon and Nikon. A large number of FE-mount and E-mount lenses are co-branded (called “Sony/Zeiss”). A simple, bright, and lightweight normal prime, the FE 50mm f/1.8 from Sony is a versatile normal-length prime lens designed for full-frame E-mount mirrorless cameras. The mirrorless revolution is in full swing. What we don’t: Low light performance and softness toward the edges. What started as one camera article has expanded into a burgeoning section of information covering everything from inexpensive point-and-shoots to full-frame... Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right lenses can be challenging. Full-frame lenses certainly are expensive and heavy compared to their crop-sensor counterparts, but you can buy lenses for your a7R IV and use them on your a6600 when need be. Compared to Canon's EF-mount lenses or Nikon's F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). The Sony Alpha 7C is the latest addition to the Alpha series. Its advanced optical design includes 5 aspherical elements and 1 ED glass element for reduced chromatic and spherical aberrations in a compact design. Third parties also sell lenses for the Sony system. Impressively, the 100-400mm f/4.5-5.6 is roughly the same size as the 70-200mm f/2.8 above and comes in reasonably light for a lens of this type at “just” 49 ounces. More, the 55mm f/1.8 is considerably lighter than the 50mm f/1.4 (9.9 ounces vs. 27.4 ounces). This may be a deal breaker for some, but those who try manual focus often find that it’s relatively easy, accurate, and fun. All things considered, it’s one of the best values on this list and an extremely fun lens to have in your bag. Buy Sony Mirrorless Lenses including popular models like GM, SEL1855/B and G Master. Category: Wide angleWeight: 24 oz.What we like: Superb optical performance overall.What we don’t: Pricier and heavier than the f/4 version above. It’s tough to come up with something bad to say about the Sony Distagon T* FE 35 mm f/1.4 ZA. This would make a perfect companion lens for travel as it fast, quiet, and very compact. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. I’ve used Canon, Nikon, and Sony A-Mount lenses using adapters with great results. Buy. The weight of the Sigma 85mm f/1.4 is by far its biggest downside. Filter thread: 72 mm Excuse me. For travel, you might just enjoy this lens more for its light and very compact design even though it’s limited in its application due to it being a prime. But we have a very hard time passing on a G Master lens when available, not to mention the f/4 is good but not great from an optical perspective. 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You'll get more hunting than with Sony's native lenses and the Sigma can have a hard time locking in, which can be quite frustrating when shooting moving subjects. Its sleek design makes it well-suited for everyday shooting, while the fast f/1.8 maximum aperture benefits working in low-light conditions as well as offers increased control over depth of field for selective focus imagery. It’s a loaded lens that’s made for professionals and serious hobbyists alike. But with the high ISO capabilities of Sony's latest cameras, this may be an acceptable trade-off for the cost savings and increased reach. It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. The FE 100-400 mm f/4.5-5.6 is one of the best telephoto Sony E Mount Lenses that bears the “GM” G Master line-up from Sony. As part of Sony’s G Master series, the 16-35 mm f/2.8 is the top of its class with fast and quiet autofocus and weather sealing. See the Sony 24-70mm f/4. See the Sony 24-105mm f/4. Sony Distagon T* FE 35 mm f/1.4 ZA. Type: Wide-Telephoto MSRP: $1,349 Sony made a big splash with the release of the speedy a9 camera body, but they needed the telephoto lenses to match. The optics on this lens isn’t too shabby either, and it keeps the sharpness on all four corners. Weight: 27.6 oz. What are the downsides of going this route? For around $800, you can throw it on any Alpha full-frame camera and use it as your only lens. Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. Most professionals will balk at this lens. Weight: 13.1 oz. Type: Prime Wide-Angle You would be hard-pressed to find the Sony f/4 lacking in performance – It can efficiently produce professional quality images. Both lenses are far superior to the disappointing 50mm f/1.8, which hits an attractive price point but is just not up to the standards of Sony’s full-frame cameras. The Sony 24-240mm f/3.5-6.3 does cover a healthy range of focal lengths from wide angle to telephoto—it’s the only lens on this list that does so. One notable issue we have with the Sony 28mm f/2 is the focal length. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. So, with that in mind, let’s get to it. For wide-angle specialists who love pushing the limits, this is your lens. I use. This lens will allow you to travel light and shave off lots of weight from having to carry multiple lenses. Tamron and Sigma are the most well known third-party lens manufacturer. Cons: Doesn’t bear the Sony G brand name and limited coverage for travel. Filter thread: 49 mm Unfortunately, the two available options from Sony are either a bit underwhelming (the 35mm f/1.8) or overpriced (the 35mm f/1.4). Given the Sigma options for Canon and Nikon full-frame cameras, we expect to see various zooms hit the market in the future. Type: Prime Wide-Angle. The lens is also built for the rigors of travel with a moisture-resistant fluorine coating to protect against dust, dirt, smearing, and weather sealed. You can use both kinds of lenses on your crop sensor, but never use a lens rated for a crop sensor on a full frame camera! Filter thread: 72 mm What are the downsides of the Sony 12-24mm f/4? 4 AF) specifically designed for Sony … They tend to be cheaper with the same features and optics. Free Travel Photo – Old Town Tallinn Estonia, Camano Island State Park | An Awesome Campground, Photo of the Day – Seattle Space Needle & Mount Baker, Photos of the Day – A Man and His Best Friend, Photo of the Day – Tirana (Albania) Skyline, Photos of the Day – Rousanou Monastery of Meteora, Save money from epic photography gear guides and round-ups, Learn to travel better and longer from travel tips and resources, Get free travel photos and other freebies, We don't like SPAM so you won't get any from us, @2020 - Always Wanderlust. See the Sony 85mm f/1.8. Both are easy to overlook if this is your most used focal length, but the 55mm f/1.8 does a pretty good job without those downsides. It’s a tough call between this and the Batis 18mm above, which has autofocus and is wider from a focal length perspective but offers similar overall image quality. A Mount E Mount. |. What we like: Super sharp, lightweight, … Category: Wide angleWeight: 19.9 oz.What we like: A true ultra-wide for Sony full frame.What we don’t: Doesn’t take screw-on filters. Designed for the Sony full-frame sensor powered cameras, the Sony FE 28 – 70mmis a wide zoom lens. Resolving power and resolution isn’t the only and main factor we use to determine the best “travel” lens. Sony got it covered with its growing selection of super-wide zooms, standard and telephoto zoom, and quality prime Zeiss lenses. There is a lot to like about the 28mm f/2 from Sony, and most notably the price. But, it will cost you an additional $800, weighs you down more and will take over more space in your bag. Pro Tip: Check out What’s In My Camera Bag, if you’re interested in my current camera gear choices! You get a whole lot of sharpness and bokeh for an f/1.8, and autofocus is excellent. It’s also about $1000 cheaper. Using Canon? See the Sony 16-35mm f/4. The 24-70mm f/2.8 GM is the lens that made Sony’s full-frame mirrorless cameras truly competitive with Canon and Nikon. Browse Sigma lenses including over 45 camera lenses available for most major mounts including Sigma, Canon, Nikon, Sony, Pentax and Micro Four Thirds Systems. There are still a few things that Sony needs to fill-in, such perspective correcting (tilt/shift) lenses category – I know it’s very specialized, but T/S lenses are something I truly enjoyed using in Canon and Nikon’s systems. If you’re hand-holding with your camera, you might do better with the f/2.8 version – which is an optically superior lens. Finally, the lens does not take screw-on filters due to its bulbous shape. Type: Wide-Telephoto Should this feature be turned off, vignetting will be an issue. At around $450, this is the cheapest FE lens on this list by quite a bit. Generally, adapters are known for slowing down autofocus, which is a key component of any lens. ... Sony DSLRs use A-mount lenses; compact system cameras use E-mount lenses (or A-mount with adaptor). With that in mind, don’t just blindly assume that Brand Names are always going to be superior. Before the 24-105mm f/4, the Sony lineup felt like it was missing that reasonably priced, Swiss Army Knife of lenses. So, the widest aperture is not available across the focal length range. This means you can mount your Sony or Nikon crop lenses onto Sony or Nikon full-frame bodies. If image quality is your top priority in a telephoto lens, it’s a clear choice: go with the GM. Travel Anxiety: What are the Pre-Trip Jitters & How Can We Tame Them? This is one of the sharpest wide-angle Sony E Mount Lenses out there. Category: Wide angle/travelWeight: 7.1 oz.What we like: Bargain basement price (for an FE lens).What we don’t: Slightly awkward focal length. Cons: Limited coverage, heavy, and expensive. Enter Sigma's Art line, which launched with Sony mounts and comes to the plate in a big way with its 35mm f/1.4. The lens has a quiet and high-speed internal motor for the focusing system and has a manual aperture ring made for photographers who shoot videos. The tipping points for us have been cost and weight: the f/4 is considerably cheaper (around $900 at the time of publication) and weighs nearly 6 ounces less. I’m definitely waiting a bit more and getting those. Fantastic contrast and resolution are sustained throughout all the image corners and at all apertures. It’s ridiculously sharp all the way to the corners, reasonably fast at f/2.8, and built like a true pro lens. Type: Wide-Telephoto You can see the full f-stop scale here, and lower numbers make for more desirable (and expensive) lenses. There are others that are more expensive but are great for renting, like the Fujinon Premista, Leitz Zoom, Panavision Primo 70 series or Primo Artiste, as well as the ARRI Signature Primes and Zoom as well as the ALTA Switar lenses. It’s worth noting that because Sony’s latest full-frame cameras have built-in image stabilization, camera shake will be less prevalent than with older models. The zoom vs. prime distinction varies by camera type, and Sony now has a strong batch of FE zooms (the f/2.8 trifecta of 16-35mm, 24-70mm, and 70-200mm is now covered). Category: Wide angleWeight: 13.9 oz.What we like: Extremely sharp all the way to the corners.What we don’t: Manual focus isn’t for everyone. The first is price—$2,000 makes it considerably more costly than either the Canon 24-70mm f/2.8 or Nikon 24-70mm f/2.8. Category: Wide angleWeight: 11.6 oz.What we like: Incredible sharpness and color rendition.What we don’t: Not heavy but a little bulky. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. And given that this was the first wide-angle zoom for Sony FE, a number of professionals readily adopted this lens during the wait for the inevitable GM version. In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. Category: Travel/portraitWeight: 31.3 oz.What we like: Superb image quality.What we don’t: Heavy and expensive. Lenses with this maximum aperture or faster are solid low light performers and can achieve the creamy bokeh that professionals love (most of Sony’s current GM zoom lenses are f/2.8 or faster, for example). Sony didn’t partner with Zeiss on this one, but pretty much everything still lines up: the lens offers good sharpness, solid low light performance, and a sturdy build. The maximum aperture of the lens is f/3.5 when fully zoomed out and stops down to f/5.6 when zoomed in at its tele end. Sony Alpha Full-Frame A-Mount Lens Adapter. All in all, we get the draw of the 24-70mm focal length, which makes for a true workhorse lens, but the mediocre optics here give us pause. Filter thread: 82 mm So sharp and the coverage is huge. Meike is also starting to develop full-frame cine primes for Sony E, and Sigma has an FF Zoom in a 24-35mm T2.2. Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. However, it’s a little on the heavy side due to it being 2 stops faster than the lens it replaced, the Sony Sonnar T FE 35 mm f/2.8 ZA lens below. The f/2.8 is a sharper lens and gives you an extra stop. The first is versatility: it’s only worth spending the roughly $1,700 if you plan on using it frequently (and know how to, which is another challenge). Six Stunning Destinations to Visit where it’s Not Crowded, Peace in La Paz, Mexico – Personal Musings of A Gringo, Where To Stay In Buenos Aires | The Best Places and Neighborhoods, Georgia Travel Guide: The Shangri-La of Caucasus, Where To Stay In Paris | The Best Neighborhoods, The Best Lenses for Sony a6000 Series (a6300, a6500, and a6400). The best adapter for Canon to Sony FE, for example, is $395 and is on its fifth rendition to date plus firmware updates. This lens is one of the cheapest and sharpest Sony E Mount Lenses ever made. The Sony FE 70-200mm f/4 G OSS is designed for the full-frame Sony e-mount cameras. But with their 24-105mm f/4, Sony has a winner. Because of Zeiss’ stellar reputation in optics, these are highly regarded lenses that can go head-to-head with just about anything on the market. Polarizer Filter – Why You Need One and Which One to Get, How to Choose the Best Full Frame Camera in 2020, Do you want to know how to make travel (especially long-term) interesting? If you pair it with teleconverters like the Sony 1.4x or 2.0x you can get even more reach. E-mount full-frame prime lenses for the Sony Alpha 7 series. MSRP: $1,599. Before the release of the 24-70mm f/2.8 GM above, the f/4 was the original FE lens option at this popular focal length. Camera manufacturer (Sony) and mounting type (E-Mount, A-Mount) considerations still apply. Sigma 14-24mm f/2.8 DG DN Art. Category: Travel/portraitWeight: 15.2 oz.What we like: Versatility at a good price point. Exploring Buda – The Classy Half of Budapest, A Day in Eger: Of Turks, Castles, Beautiful Women, and Wine. Now that you know which lens to get check out my guide on the Best Full Frame Travel Cameras or the Best Travel Cameras. In short, aperture is the size of the lens opening through which light passes, and it impacts just about everything related to image quality: bokeh, depth of field, and sharpness. In most, if not all, situations, this lens is more than adequate enough. For Sony's full-frame mirrorless cameras, Zeiss dominates the landscape and calling that "third-party" is stretching it a bit (the relationship between Sony and Zeiss is quite close). However, it didn’t take long for Sony to come up with a wide selection of optics for the A7 Series such as the Alpha A7R III (and the venerable Sony A7 III) to win the hearts of many travel photographers, myself included. The majority of my top-selling stock photos are shot with the 24-240 mm, and it’s the lens I pick up most to compose a shot before switching to a different lens (if I do). Category: Wide angleWeight: 18.3 oz.What we like: Great optics and sunstars at a reasonable price and weight. You would also need to fork up for bigger filters as the thread mount is at 82  mm. The Sony/Zeiss marriage is somewhat unique in the world of photography and has been going on for two decades and counting. The lens is sharp at all corners with a little bit of distortion – as what comes typically with super-wide-angle zoom lenses like these. This lens is tack sharp even when wide open, produces creamy bokeh that you just can’t replicate with a slower lens, and boasts excellent build quality. Weight: 23.4 oz. Sony also claims that the Alpha 7C is … SELP28135G (9 9) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. Pros: A flagship super-wide-angle lens with superior optics As of fall of 2020, there are ten GM lenses to choose from: the 16-35mm f/2.8 GM, 24mm f/1.4 GM, 24-70mm f/2.8 GM, 85mm f/1.4 GM, 100mm f/2.8 GM, 135mm f/2.8, 70-200mm f/2.8 GM, and 100-400mm f/4.5-5.6 GM, 400mm f/2.8 GM, and 600mm f/4 GM. Aside from focal length, maximum aperture is one of the most important decisions you’ll make when choosing a lens. It tends to be sharp in the middle but softer toward the edges, and will struggle in low light with a maximum aperture of f/4.5-5.6. The real question is whether you should spend up for the 16-35mm f/2.8, which is quite pricey at around $2,000. But 42mm on Sony’s APS-C cameras is more palatable, which is how many people end up using this lens.See the Sony 28mm f/2. $2,399.99. One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony's f/1.4 GM in terms of image quality. This is of the best all-around Sony E Mount Lenses, and it will make a perfect one and only lens in your bag if you want to go ultralight travel with decent coverage. In addition, Zeiss has created another bunch of its own lenses for Sony FE-mount cameras (“Batis” and “Loxia”). However, zoom lenses tend to be slower, bulkier, and heavier than primes. If image sharpness is the top criteria you’re looking for in a travel lens, then look no further. Nikon lenses won't work on Sony and A-Mount lenses wont work on E-Mount cameras without adapters (that often slow performance). As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. We break down the leading DSLRs on the market from... Fujifilm’s mirrorless camera systems have come on strong, with models like the X-T2 and X-Pro2 garnering serious followings among photography enthusiasts... Digital Camera Buyer's Guides and Reviews. We previously had the 70-200mm f/4 ranked higher due to availability issues with the f/2.8 GM, but that has been resolved and it’s now readily in stock online and in stores. Sony FE 28mm f/2. The “Do It All” Lens. The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. Pros: Huge telephoto coverage and reasonably light Zooms are very convenient and can take on a variety of focal lengths that prime lenses can’t. These issues aside, it’s a really fun ultra wide that compliments the 24-70mm f/2.8 nicely in terms of focal lengths.See the Sony 12-24mm f/4. With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). For travel, it would be hard to beat a nice zoom lens with massive coverage. MRP Rs. BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Claim big savings on new Sony lenses; Sony full-frame vs APS-C format. It was big news when Sony released the 16-35mm f/2.8 GM above, but they coupled that with the 12-24mm f/4. With all of this, keep in mind the old cliché, "tools not jewels." The main reason to choose the Sony 24-70mm f/4 is price. The mirrorless design of the A7 cameras allows a short flange distance between the sensor and the rear lens element. We think you can’t go wrong with either, and for those who specialize in wide-angle photography, a Zeiss prime is a real treat.See the Zeiss Loxia 21mm f/2.8. You will have a hard time picking not picking this lens over the heavier but much faster Sony Distagon T* FE 35mm lens above over this one. MSRP: $1,398 If you’re in a big crowded city, this lens knows no bounds and just fun to shoot with. See the Sony 100-400mm f/4.5-5.6 GM. The under $800 price tag means you’ll have more money for travel. The truth is that you can’t go wrong with either, but we prefer the smaller size and lower price of the f/1.8.See the Sony 55mm f/1.8. … In some ways, we were hoping that the GM didn’t live up to expectations (wishful thinking) and therefore it would have been easy to stick with the f/4. Weight: 31.25 oz. Reports on this topic are mixed, however, and the cost savings is significant enough that the value and image quality may outweigh any autofocus concerns. MSRP: $2,198 We use affiliate links and may receive a small commission on purchases. In addition, the Sigma isn't completely weather sealed, although it does feature a surface treatment and rubber sealing at the mount connection point, instilling a bit more confidence for those venturing into tough conditions.See the Sigma 85mm f/1.4 Art. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. I have been wondering which one to get and it was really overwhelming. And the image quality probably will be excellent as full-frame lenses are the real deal. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. In terms of numbers, we generally make the professional cutoff at f/2.8. Category: TelephotoWeight: 52.2 oz.What we like: Pro-grade image quality and build.What we don’t: Super heavy and expensive. Would you take this lens versus the smaller f/4 version above? Read more about us. Editor’s Rating: 4.4/5. Choosing lenses and focal lengths for landscape photography has a lot of layers, and it’s a topic I wish I researched more before jumping in. If your lens does take on some moisture or gets a nice soaking in the rain, stick it in a plastic bag and fill it with some silica gel packets (yes, the ones that overwhelmingly say "Do Not Eat"). We personally find that a quality 16-35mm goes wide enough for most uses, but there certainly is demand for a true ultra wide and Sony answered the call. It comes with three double-sided aspherical elements the minimize aberration. Category: TelephotoWeight: 49 oz.What we like: A super tele to match the capabilities of the Sony a9 and a7R IV.What we don’t: Some people may still want to add a teleconverter for even more reach. Will the Real Mitad del Mundo Please Stand Up? The Tamron 28-75 mm f/2.8 is no different here compared to the 24-70 mm Sony. MSRP: $249 Based on extensive research, we felt it was the best 16-35mm f/4 on the market including those from heavy hitters like Canon and Nikon. Weight: 19.4 oz. There’s no degradation in performance regarding contrast and sharpness when you shoot wide-open at f/1.8. E 30 mm F3.5 Macro. You would have to pixel peep a lot to tell a shot taken from this lens vs. a shot that was made from a $3,000 prime lens. Aperture is measured in f-stops, and the lower the f-stop (f/2.8, f/1.8, etc. Thank you! Weight: 6.6 oz These will help to suck the moisture out of the lens and hopefully return it to working order. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Category: Travel/portraitWeight: 23.4 oz.What we like: A do-everything lens at a good price. If you frequently shoot low-light photography, the f/2.8 may be worth it (or better yet, an even faster prime). At this focal length, it's a dream pairing for the a7R IV. When buying lenses for your Sony full-frame camera, keep a close eye on the title and the blue Zeiss logo on the barrel. Filter thread: 77 mm Type: Wide-Telephoto However, you would have to be willing to fork an extra $800 or so and put some extra weight in your luggage. All in all, we like the Sony 70-300mm best for APS-C cameras (the focal length equivalent is a whopping 105-450mm), but less so for full frame.See the Sony 70-300mm f/4.5-5.6. Filter thread: 77 mm Unfortunately, the image quality of this lens leaves us wanting. See the Sigma 35mm f/1.4 Art. Many people considering this lens are on the fence between it and the 24-70mm GM above. Moreover, most people don’t use a 16-35mm lens as frequently in low light as a more indoor-friendly zoom like a 24-70mm f/2.8, plus Sony's latest cameras have superb ISO sensitivity. E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; FE PZ 28-135mm F4 G OSS. And realistically, the large focal length range of the 24-240mm means that it's lacking in pro-level optics. The f/4 version described above is a top-notch lens in its own right, creates better sunstars, and saves you about $900 in cost and nearly 6 ounces in weight. With the Sony 24-70 mm f/2.8, Sony has upped the ante on the important focal range of standard zooms. There are a healthy number of E-mount lenses that continues to grow each year, but none can be mounted on your Sony full-frame camera.Back to Our Top Sony FE Lens Picks   Back to Our FE Lens Comparison Table. Third-party lenses abound for full-frame DSLRs, including from brands like Sigma and Tokina. At time of publishing, most of the Sigma lenses available for Sony are primes, including the 24mm f/1.4, 35mm f/1.4, 50mm f/1.4, 70mm f/2.8, 85mm f/1.4, and 135mm f/1.8. To help you wade through the masses of Canon EF (full-frame) lens models... Nikon’s full-frame camera lineup is impressive, but perhaps even more so is the extensive collection of FX-format (full frame) lenses. Sony’s six “GM” Grand Master lenses are particularly strong and the collection of primes is growing including the recent addition of Sigma Art  lenses, which is a very exciting development. Compatibility: A-Mount lenses including SSM, SAM, and motor-less lenses; 35mm Full-Frame cameras with E-mount lens system; Dimensions (Dia x L): 2-5/8 x 1-1/4 inch / 66.0 x 31.7 mm; Weight (approx. Find the right DSLR lens for every photographic opportunity. The Sony  16-35 mm f/2.8 is the best super wide-angle zoom in existence. You will have to judge for yourself if the slight advantage in sharpness is worth the weight and extra costs. This Zeiss branded optics is very sharp across all corners, even shot wide open. What we don't: Slower than the Sigma and Sony 85mm f/1.4s. As far as image quality goes, the Zeiss Loxia 21mm will not disappoint. If all that is true, it means that with GM lenses you are future-proofing your purchase in a way—it takes a very precise piece of glass to match that magnitude of an image sensor. Before the Sony 100-400mm GM above hit the market, the 70-300mm f/4.5-5.6 was the only way to shoot further than 200mm. This lens is a stop slower than the Sony FE 70-200mm f/2.8 G OSS that we just read about above. Unlike most lenses of these types in the DSLR domain, the stabilization motor is built inside the camera body, not the lens itself, which is a huge bonus. ZA. Category: TelephotoWeight: 30.1 oz.What we like: A relatively inexpensive telephoto option for FE. Your email address will not be published. This lens fills the missing gap that professional sports and action photographers have been clamoring for. This is Sony’s version, and it doesn’t disappoint. Cons: Doesn’t cover as much as the 24-240 mm. 8 AF, 35mm F2. MSRP: $2,498 How much of a sacrifice? Everyone should have an affordable, reliable, and fast lens like the Sony FE 50 mm f/1.8. Here’s the complete list of all Sony’s Line of E Mount Lenses. Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. 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Category: PortraitWeight: 39.9 oz.What we like: Sharper than Sony's 85mm f/1.4 GM at a lower price point.What we don't: Incredibly heavy. It’s not a bad lens by any means, and it matches pretty well with older Alpha cameras, but we prefer the f/2.8 or faster primes. A full-frame mirrorless camera like the Sony a7R IV is a super attractive option for serious landscape photographers, with a low weight and high-resolution sensor. If you shoot a lot of street and travel photography and are looking for a simple, high quality piece of glass to cover most of your needs, we'd highly recommend picking up a 35mm prime. Portrait photographers have a number of intriguing options at the 85mm focal length, but our favorite of the bunch is the Sony 85mm f/1.8. A 50 mm f/1.8 is cheap to produce, and all the major camera manufacturer has one. RV Camping Essentials – With Printable Checklist! Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. Primes usually are smaller as well, but you may need to carry multiple lenses to cover your desired focal lengths. Full Disclosure: I am part of the Amazon and B&H affiliate program. Although not a GM lens, the 12-24mm does pretty much everything well: it’s crisp, has minimal falloff at the corners, and comes in relatively light at 19.9 ounces. For those who want a little more reassurance, we recommend keeping your camera covered by one of the many protective covers available. If you like fast and super sharp primes, look no further than the Sony Distagon T* FE 35 mm f/1.4. Filter thread: 49 mm Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world. On the other hand, Sony E-mount (APS-C) lenses are not compatible on Sony full-frame cameras. It’s about $600 more than Nikon’s 24-70 mm f/2.8 ($1,797) or Canon’s 24-70 mm f/2.8 and also more massive at 31.3 oz. The Tamron is one of the best third-party Sony E Mount Lenses in production. That lens is reasonably sharp (the images do tend to soften up a bit toward the corners), much lighter than the f/2.8 at 29.6 ounces, and $1,000 cheaper. of all taxes) More product information. MSRP: $2,199 Visit us for outstanding prices, selection, and fast shipping. Cons: Limited in its use and coverage. I earn a small commission if you use my links to purchase a product at no extra cost to you. Having started following your work, I have become particularly interested in photography as I have gained a lot information-wise. One can use such lenses in travel architecture and composing panoramic and composite images. It’s a tough call between the 16-35mm f/4 and the f/2.8 GM below. All things considered, it’s the real deal at 50mm. If you happen to have the Sony 24-105 mm, then the Sony FE 100-400 mm would be perfect for your line-up. Pros: Very portable and lightweight without sacrificing optics 8 AF, 50mm F1. We do like the additional reach and it’s a nice way to add a healthy amount of versatility at the telephoto end of the spectrum without breaking the bank. Before Sony’s release of its flagship 16-35 mm f/2.8, I’ve been using the Tamron A-mount SP 15-30 mm f/2.8 Di USD Lens with an integrated electronic adapter. I Got Scammed At Sacsayhuaman In Cusco, Peru! But this lens does have its shortcomings. You’ll be torn between this and the Sony 24-70 mm below or the Sony 24-240 mm above. It’s perfect for lowlight and astrophotography, with excellent coma performance. Amateur photographers often are attracted to the convenience of all-in-one lenses, and rightfully so. They’ve been in business for many years, and it’s the testament to the fact that they give Brand Name optics like Sony a run for their money. Type: Normal Prime Note that any APS-C (Sony E) lenses will have a 1.5x crop automatically applied by a full-frame camera by default. Category: Travel/portraitWeight: 9.9 oz.What we like: Much lighter and cheaper than the 50mm f/1.4.What we don’t: If you’re a bokeh fanatic, this lens falls a little short. For a workhorse lens for travel and everyday use, the 24-105mm is a great option. It’s also heavier than either of those two lenses at a whopping 31.3 ounces. To experience a place like a local rather than a tourist gives a whole new dimension to any adventure.
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